Basses Loaded! + East Coast Jazz 5 (2LP on 1CD) (Milt Hinton, Wendell Marshall & Wyatt Ruther)

商品コードFSRCD999FS

レーベル名Fresh Sound Records

国名Spain (スペイン)

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販売価格（税込）2,450

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■アーティスト：Milt Hinton, Wendell Marshall & Wayatt Ruther

■ラインナップ：
Tracks #1-4: Milt Hinton, solo bass; Joe Newman, trumpet; Billy Byers, trombone; Al Cohn, tenor sax; Danny Bank, baritone sax; Barry Galbraith, guitar; Osie Johnson, drums.
Arrangements by Al Cohn.
Recorded in New York City, February 1, 1955

Tracks #5-8: Wendell Marshall, solo bass; Jimmy Nottingham, trumpet, Hal McKusick, soprano sax; Danny Bank, baritone sax; Barry Galbraith, guitar; Wyatt “Bull” Ruther, bass; Osie Johnson, drums.
Arrangements by Billy Byers.
Recorded in New York City, January 26, 1955

Tracks #9-12: Wyatt “Bull” Ruther, solo bass; Billy Byers, trombone; Hal McKusick, alto sax & flute; Danny Bank, baritone sax; Gene Di Novi, piano; Al Hall, bass; Osie Johnson, drums.
Arrangements by Manny Albam.
Recorded in New York City, January 29, 1955

Tracks #13-22: Milt Hinton, bass; Tony Scott, clarinet, bass clarinet; Dick Katz, piano; Osie Johnson, drums.
Recorded in New York City, January 20, 1955

■出典：
Tracks #1-12, from the album “Basses Loaded!” (RCA Victor LPM-1107)
Tracks #13-22, from the Milt Hinton album “East Coast Jazz/5” (Bethlehem BCP 1020)

■曲目：
1. Moon Over Miami (Joe Burke, Edgar Leslie) 2:56
2. I Hear a Rhapsody (Jack Baker, George Fragos, Dick Gasparre) 2:30
3. Prelude to a Kiss (Duke Ellington, Irving Gordon, Gordon Mills) 3:12
4. Fump (Al Cohn) 2:44
5. The Continental (Con Conrad, Herb Magidson) 2:59
6. Careless (Dick Jurgens, Eddy Howard, Lew Quadling) 2:47
7. How Blue Was My Bass (Wendell Marshall) 2:42
8. Tenderly (Jack Lawrence, Walter Gross) 3:00
9. Crazy She Calls Me (Carl Sigman, Bob Russell) 3:17
10. I Poured My Heart into a Song (Irving Berlin) 3:12
11. Bull in a China Shop (Manny Albam) 3:19
12. Begin the Beguine (Cole Porter) 3:07
13. Mean to Me (Roy Turk, Frank Ahlert) 4:12
14. Pick 'N Pat (Milt Hinton) 4:42
15. Over the Rainbow (Harold Arlen, Yip Harburg) 3:37
16. Milt to the Hilt (Tony Scott) 3:35
17. Don't Blame Me (Jimmy McHugh, Dorothy Fields) 2:28
18. Katz' Meow (A Canon for Cats) (Dick Katz) 5:16
19. Upstairs with Milt (Milt Hinton) 2:14
20. Ebony Silhouette (Milt Hinton, Bennie Payne) 2:41
21. Cantus Firmus (Dick Katz) 4:25
22. These Foolish Things (Holt Marvel, Harry Link, Jack Strachey) 3:46

■視聴

■ラインナップ：Fresh Sound Records

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Milt Hinton, Wendell Marshall & Wayatt Ruther

Basses Loaded! is the suggestive name of this 1955 album featuring three jazz bass specialists in four numbers each. Milt Hinton needs no introduction: having started with Cab Calloway’s great band of the 1930s, Milt added his personal touch to a wide variety of
musical units, both large and small, and recorded with just about every name in the field.
Here he has the first four tracks, all arrangements (plus one original) by Al Cohn.
The next four feature Wendell Marshall, who was Duke Ellington’s bassist for quite some
time, but also enjoyed a long and successful career afterwards. His technique is amazingly
varied, his tone firm and flexible; he was, in short, one of the versatile players who helped the instrument reach its current, exalted position. The arrangements are by Billy Byers, while
Marshall penned the original.
The last four tracks are by Wyatt “Bull” Ruther, with arrangements and the one original by
Manny Albam. Ruther debuted with the Dave Brubeck quartet, then joined the Erroll Garner
trio, and then the Chico Hamilton and George Shearing groups, among many others. No
matter what musical thought, he always kept a clear head and a straight course—he is, like
both Hinton and Marshall, in there to stay, plucking a fantastic variety of notes from what is
often seemingly thin air, offering the most vital proof of the instrument’s place in the jazz
family.
The second album of this set, also from 1955, is by Milt Hinton, who at age 40 finally got
his first LP under his own leadership, and it is a magnificent quartet session. His trademark
full sound is always present, as are his quivering imagination and infectious joy of living and
playing. Toni Scott blows with a feeling, conception and tone unsurpassed in jazz—notice the
beautiful sound of the bass clarinet. Dick Katz plays with expressive economy, sometimes
traditional, never trite, while Osie Johnson is the epitome of tasteful accompaniment. The
whole endeavor is best summarized as a sincere, heartfelt lament.